The Light From The Second Story Window

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Studio: Bijou Classics

The first thing one sees as the film opens is the Greyhound Bus Depot in West Hollywood, where a blond naif (Allen) steps off the bus to be met by a black pimp (Winston Kramer) and a white drag queen (Richard Lindstrom). Soon he is at the home of a male madam (Brad Preston), and offered the proposition that if he puts out for clients in private settings and for the camera in fuck flicks, he will eventually be given a role in a mainstream film. There follows a mechanical sex scene in which an unattractive john and a disinterested boy toy go at it. Like most of such scenes in the film, this one has a beginning (penetration) and an ending (the money shot), but very little middle, and no sense of a complete sexual experience. The episode serves as an eye-opener for Allen, who (after being plied with and some sort of pill) agrees to bed down with the pimp, as sort of an audition. They kiss. Allen sucks and gets fucked (although the anal action appears to be simulated, and neither has an on-camera ejaculation).
The third and fourth explicit episodes - of Allen with clients - are more successful on a purely prurient level. The first, a threeway with a and poolside, includes Allen sucking, rimming, and another apparently simulated fuck. The other, featuring Cassidy as a closeted movie star, clearly shows why he was one of the most popular early stars of the genre. The camera loved his chiseled features, gym-built physique, and sturdy erection, and he throws a definitely not-simulated fuck to the diminutive blond that culminates with a syrupy money shot all over Allens tongue. But Allens character is beginning to regret his life of being constantly used.
An acting workshop for clients turns into a kaleidoscopically filmed orgy at which the cop on the take (Richard Lavette) selects Allen as his bonus of the day and subsequently puts him through a humiliatingly homophobic SM exercise. This degradation prompts the onset of a nervous breakdown in which Allen attempts to ape Or Welles classic temper tantrum in Citizen Kane. This is followed in quick succession by Allens meeting a nice, middle-aged gentleman (William Laskey) who raises snakes, intones the most polemic dialogue in the film (all about love and longing), and eventually commits suicied; by Allens becoming an overnight success as a legit movie star; and by by a celebration at a cabaret where a drag queen (Felisha Farr) lip-syncs Why Was I Born and Allen meets the love of his life, another wannabe, who is straight (Ray Todd).
The wages-of-sin theme shifts to the hollowness-of-fame theme, as Allen almost has sex with Todd (another sensation from the early days of porn); hires a hustler of his own (Joey Daniels) who turns out to be more of a philosopher than a sexualist in a non-explicit scene; and finally gets Todd into his bed for the hottest sex scene in the movie and an ambiguous ending in which the straight guy is gradually coming around (Give me time... Dont push me... You cant have everything.) And the film ends with a stunning freeze frame of Allen in front of a giant kleig light at yet another premiere - rich, famous, and alone.

Format: Windows Media
Duration: 1:56:30
Video: 640x480, Windows Media Video 9, 1870kbps
Audio: 125kbps





File size: 1.7 GB





Porn under: Gay Full-length films

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